“Why do you do it?” asked Miss Ensor. He could not see her face. She watched it herself with dim half consciousness as it changed before her in the tawdry mirror above the mantelpiece, half longing that he might look up and see it, half terrified lest he should.!

“That’s the sort that makes me despair of the People,” said Mr. Simson. Joan could not be sure whether he was addressing her individually or imaginary thousands. “Likes working for nothing. Thinks she was born to be everybody’s servant.” He seated himself beside Miss Ensor on the antiquated sofa. It gave a complaining groan but held out. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.

The silver clock upon her desk struck six. It had been a gift from her father when she was at Girton. It never obtruded. Its voice was a faint musical chime that she need not hear unless she cared to listen. She turned and looked at it. It seemed to be a little face looking back at her out of its two round, blinkless eyes. For the first time during all the years that it had watched beside her, she heard its quick, impatient tick. The speaker sat a little way apart. The light from the oil lamp, suspended from the ceiling, fell upon his face. He wore a peasant’s blouse. It seemed to her a face she knew. Possibly she had passed him in the village street and had looked at him without remembering. It was his eyes that for long years afterwards still haunted her. She did not notice at the time what language he was speaking. But there were none who did not understand him. Joan had no idea the park contained such pleasant by-ways. But for an occasional perambulator they might have been in the heart of the country. The fallow deer stole near to them with noiseless feet, regarding them out of their large gentle eyes with looks of comradeship. They paused and listened while a missal thrush from a branch close to them poured out his song of hope and courage. From quite a long way off they could still hear his clear voice singing, telling to the young and brave his gallant message. It seemed too beautiful a day for politics. After all, politics—one has them always with one; but the spring passes.